Sergei E. Biryukov
KHLEBNIKOV IS OUR BASIS (Projective precepts of V. P. Grigoriev) |
13 - 19 |
Vlada Baranova, D. O. Dobrovol’skij
CORPUS MODEL OF THE INDIVIDUAL STYLE |
20 - 27 |
O. I. Severskaya
POETIC LANGUAGE: STRATIFICATION AND METHODS OF DESCRIPTION |
28 - 39 |
N. M. Azarova
THE CONCEPT OF IDIOSTYLE IN INTERCULTURAL STUDIES OF POETRY |
40 - 49 |
I. A. Tarasova
COGNITIVE PARAMETERS OF IDIOSTYLE TYPOLOGIZATION |
50 - 56 |
O. V. Evtushenko
COGNITIVE STYLE THROUGHOUT ITS REPRESENTATIVES IN A LITERARY TEXT |
57 - 64 |
B. Orekhov, D. S. Stepina
PERSIAN POETIC CORPUS |
65 - 71 |
S.O. Savchuk
MULTIMODAL POETIC CORPUS: GENERAL STRUCTURE AND PROSPECTS OF USE |
72 - 81 |
Suren Zolyan
MEANING CREATION AND ITS LINGUISTIC MECHANISMS: SEMANTIC ATTRACTION |
82 - 91 |
Mikhail Yu. Mikheev, L. I. Ehrlich, M. V. Orlova
THE AMPLITUDES OF THE IDIOSTYLE OSCILLATIONS OF 20 AUTHORS OF RUSSIAN PROSE — ACCORDING TO THEIR MAIN WORKS |
92 - 105 |
N. I. Golubeva-Monatkina
CONSTRUCTIVE INTEGRITY OF THE TEXT AND TRANSLATION |
106 - 113 |
N. I. Klushina
INTENTIONALITY OF AUTHORIAL MIND AND EFFECTS IN COMMUNICATION |
114 - 120 |
Tatyana V. Skulacheva, N. A. Slioussar, Alexander E. Kostyuk, A. A. Lipina, E. I. Latypov, V. M. Koroleva
PROCESSING OF VERSE AND PROSE: AN EXPERIMENTAL STUDY |
121 - 137 |
E. Yu. Kukushkina
MITURICH–KHLEBNIKOVS ARTISTIC DYNASTY IN AUTOBIOGRAPHICAL TEXTS AND MEMOIRS |
138 - 144 |
N. V. Kozlovskaia
«PHILOSOPHY OF CO-DOING» BY NIKOLAI FEDOROV: LEXICAL AND GRAMMATICAL FEATURES OF TITLES |
145 - 153 |
L. V. Selezneva
THE CATEGORY OF ADDRESSING IN BUSINESS DISCOURSE |
154 - 160 |
T. B. Radbil
PUSHKIN AS A MODERNIST: ELEMENTS OF A FREE INDIRECT DISCOURSE IN THE TRADITIONAL NARRATIVE OF “THE QUEEN OF SPADES” |
161 - 170 |
N. A. Fateeva
ON THE ISSUE OF STUDYING THE IDIOSTYLE OF F. M. DOSTOEVSKY |
171 - 182 |
L. L. Fedorova
THE PICTORIAL PALETTE OF PROSE BY TURGENEV AND DOSTOEVSKY |
183 - 192 |
Igor V. Ruzhitskiy
“ALMOST ABSOLUTELY” AND “ALMOST COMPLETELY” AS DOSTOEVSKY’S IDIOSTYLE MARKERS |
193 - 200 |
N. A. Rebetskaya
THE DICTIONARY OF ROOT WORD FAMILIES AS A TOOL FOR IDENTIFYING THE DERIVATIONAL FEATURES OF A. P. CHEKHOV’S IDIOSTYLE |
201 - 207 |
V. V. Feshchenko
ANDREY BELY’S LINGUISTIC INNOVATION IN TERMS OF THEORY OF LINGUISTIC CREATIVITY |
208 - 219 |
M. V. Lyapon
RANGES OF FIGURATIVE ANALOGIES (V. NABOKOV: SELF-PRESENTATION; SEARCH OF IDIONORM) |
220 - 228 |
O. E. Frolova
MODUS AND THE MEANS OF ITS EXPRESSION IN THE IDIOSTYLE OF A. PLATONOV (ON THE EXAMPLE OF THE NOVEL “KOTLOVAN”) |
229 - 238 |
M. M. Voznesenskaya
“SECOND-PERSON NARRATIVE” IN THE NOVEL “CANDLE” BY VALERY ZALOTUKHA |
239 - 246 |
A. Molnar
METAPHORICS AND OTHER FEATURES OF MIKLÓS MÉSZÖLY’S LANGUAGE |
247 - 254 |
Z. Yu. Petrova
SOME PATTERNS OF FIGURATIVE USE OF LEXICAL UNITS IN E. VODOLAZKIN’S IDIOSTYLE |
255 - 266 |
N. A. Nikolina
WORD CREATION AS A PARAMETER OF THE IDIOSTYLE DESCRIPTION (based on the prose of E. Nekrasova) |
267 - 274 |
A. V. Gik
THE LANGUAGE OF MIKHAIL KUZMIN’S DIARY: GRAMMAR, DICTIONARY, STYLISTICS |
275 - 290 |
G.Ya. Martynenko
OCCASIONAL WORDS IN B. PASTERNAK’S PRIVATE CORRESPONDENCE AS A PECULIARITY OF THE WRITER’S INDIVIDUAL STYLE |
291 - 297 |
K. M. Korchagin
METRIC IDIOLECT IN THE RUSSIAN POETRY OF THE SECOND HALF OF THE TWENTIETH CENTURY |
298 - 306 |
A. M. Ranchin
AUTHOR’S METAPHOR AND IDIOSTYLE: THE CASE OF BRODSKY |
307 - 313 |
A. Schmitt
ON THE STUDY OF THE IDIOSTYLE OF OLGA SEDAKOVA |
314 - 321 |
A. E. Masalov
IDIOSTYLE OF ALEXEI PARSHCHIKOV: GRAMMATICS OF METABOLA |
322 - 329 |
Y. B. Orlitsky
POETIC IDIOSTYLES OF THE MASTERS OF RUSSIAN VERS LIBRE |
330 - 344 |
E. V. Zakharkiv
RAPPROCHEMENT OF THE POETIC AND THE ORDINARY DISCOURSES AS A SUBJECTIVIZATION STRATEGY IN THE POETRY OF TEXT-GROUP “ORBITA” |
345 - 356 |
Ludmila V. Zubova
POETICS OF DAVID PATASHINSKY |
357 - 369 |
L. L. Shestakova
FEATURES OF THE WRITER’S IDIOSTYLE IN THE MIRROR OF A MODERN AUTHOR DICTIONARY |
370 - 381 |
Sergei S. Volkov
COMBINATIONS OF ANTHROPONYMS IN 18th CENTURY RUSSIAN POETRY (lexicographic aspect) |
382 - 391 |
N. V. Patroeva, Alexander A. Lebedev
POETIC SYNTAX OF ANTIOCH KANTEMIR |
392 - 398 |
A. S. Kuleva
SEMI-NEOLOGISMS IN THE POETIC LANGUAGE REVISITED: On the VIII volume of the “Dictionary of 20th Century Russian Poetry Language” |
399 - 407 |
N. T. Tarumova
PROJECT OF THE DICTIONARY OF COLOR TERMS OF A. BELY’S POETRY |
408 - 415 |
I. V. Zykova
THE SECTION OF “INTERSEMIOTIC REPRESENTATION” IN THE DICTIONARY OF A NEW TYPE “THE RUSSIAN AVANT-GARDE IDIOMATICS: CUBO-FUTURISM” |
416 - 426 |
O. V. Sokolova
AVANT-GARDE EXPERIMENT WITH PHRASEOLOGY: CHARACTERISTICS OF EXPERIMENTAL MODIFICATIONS IN THE DICTIONARY OF A NEW TYPE |
427 - 439 |