| N. M. Azarova STRATEGIES OF NOVELTY IN THE POETIC LANGUAGE —  SYSTEM CHANGES
 | 11  - 20 | 
                
                                                                                        | O. V. Evtushenko WHAT CAN NEW WORDS TELL ABOUT WORK OF CONSCIOUSNESS?
 | 20  - 27 | 
                
                                                                                        | B.  Tošović SEMANTICS, STYLISTICS AND POETICS OF GRAPHIC DERIVATION
 | 27  - 35 | 
                
                                                                                        | L. O. Cherneiko METONYMY TO METAPHOR: THE PARADOX OF COGNITIVE METAPHORS
 | 35  - 44 | 
                
                                                                                        | V. V. Feshchenko LANGUAGE ANOMALIES OF THE RUSSIAN AVANT-GARDE IN THE FOCUS OF LINGUISTIC THEORIESS
 | 44  - 54 | 
                
                                                                                        | Еlena М. Lazutkina V. P. GRIGOR’EV ON THE NORMALIZING ACTIVITY OF LINGUISTS
 | 54  - 60 | 
                
                                                                                        | F. N. Dvinyatin NEOLOGISM — RARITY — ARCHAISM: SOME NATURAL HISTORY TERMS IN THE RUSSIAN POETIC TRADITION
 | 60  - 67 | 
                
                                                                                        | N. V. Patroeva FAtE OF NEDONOSOK (PREMATURELY BORN CHILD): STORY OF «NON-POETIC» WORD IN RUSSIAN LYRICS
 | 67  - 77 | 
                
                                                                                        | V. N. Kalinovskaya, S. A  Ezerynya SEMANTIC DERIVATION IN THE 19TH CENTURY RUSSIAN LANGUAGE: THE SYSTEM-BASED AND THE AUTHORS’ INDIVIDUAL
 | 77  - 85 | 
                
                                                                                        | N. A. Nikolina THE MAIN TENDENCIES OF WORD FORMATION IN RUSSIAN LITERARY LANGUAGE OF 19th CENTURY
 | 85  - 91 | 
                
                                                                                        | D. A. Romanov LANGUAGE INNOVATIONS OF L.N. TOLSTOY’S WORKS (1870–1890) AGAINST THE BACKGROUND OF SEMANTIC AND STYLISTIC NEOLOGY OF HIS CREATIVITY
 | 92  - 98 | 
                
                                                                                        | Yu. V. Arkhangelskaya INTIMATE INOVATIONS OF L.N. TOLSTOY: ON THE WAY TO USAGE
 | 99  - 105 | 
                
                                                                                        | T. B. Radbil DEVIATIONS OF NARRATION SUBJECT ORGANIZATION IN THE COGNITIVE-DISCURSIVE ASPECT
 | 106  - 112 | 
                
                                                                                        | G. E. Imposti VELIMIR KHLEBNIKOV’S EARLY WORD CREATION
 | 113  - 121 | 
                
                                                                                        | O. V. Sokolova QUEST FOR A NEW WORD IN THE AVANT-GUARDE: FROM ALEKSEY KRUCHENYKH’S «TRANSRATIONAL» WORD TO GENNADIY AIGI’S «IOANNIC» WORD
 | 122  - 129 | 
                
                                                                                        | A. V. Gik SPECIFICS OF DRAMA LANGUAGE BY ILIA ZDANEVICH
 | 130  - 140 | 
                
                                                                                        | I. A. Tarasova AESTHETIC FUNCTION OF NEOLOGISMS IN GEORGY IVANOV’S POETRY
 | 141  - 147 | 
                
                                                                                        | A. M. Ranchin ON THE QUESTION OF NEOLOGISMS IN THE POETRY OF JOSEPH BRODSKY
 | 148  - 153 | 
                
                                                                                        | N. G. Babenko GRAMMATICAL OCCASIONALISMS IN THE LANGUAGE OF POETRY: PROBLEMS OF INTERPRETATION
 | 154  - 162 | 
                
                                                                                        | N. A. Fateeva LOVE TOGETHER, DISAPPEARING, MY NIGHT: ABOUT NEOLOGY IN POETIC GRAMMAR
 | 163  - 175 | 
                
                                                                                        | Y. B. Orlitsky NEOLOGY AND RHYME (FUTURISTS, SOVIET POETS, SAPGIR, MODERN AUTHORS)
 | 176  - 183 | 
                
                                                                                        | A. Molnar SEMANTIC INNOVATIONS IN VENEDIKT EROFEEV’S IDIOSTYLE
 | 184  - 190 | 
                
                                                                                        | N. V. Kozlovskaya TERMINOLOGIZATION OF OCCASIONAL WORDS IN PHILOSOPHICAL WORKS BY N.F. FEDOROV
 | 191  - 197 | 
                
                                                                                        | D. Pazio-Wlazłowska NEW EMOTIONAL AND EXPRESSIVE NAMES FOR PEOPLE LOOSELY CONNECTED WITH THE CHURCH AS AN ATTEMPT TO FILL A LEXICAL GAP
 | 198  - 204 | 
                
                                                                                        | I. V. Zykova LANGUAGE PLAY IN CONSTRUAL OF POETICS OF COMEDY FILM DISCOURSE
 | 205  - 214 | 
                
                                                                                        | L. V. Ratsiburskaya POLYCODE CHARACTER IN THE MEDIA CREATION OF WORDS AS A MEANS OF SPEECH INFLUENCE
 | 215  - 221 | 
                
                                                                                        | E. Yu.  Kukushkina WORD CREATION IN BLOGOSPHERE
 | 222  - 228 | 
                
                                                                                        | O. I. Severskaya «NEW» WORDS AND MEANINGS: SYSTEM CAPABILITIES AND FUNCTIONALITY OF PARONYMIC ATTRACTION
 | 229  - 237 | 
                
                                                                                        | N. I. Golubeva-Monatkina ON MAURICE RHEIMS’S MULTI-AUTHOR DICTIONARY
 | 238  - 243 | 
                
                                                                                        | L. L. Shestakova AUTHOR’S NEOLOGISMS AS A SUBJECT OF LEXICOGRAPHIC DESCRIPTION
 | 244  - 252 | 
                
                                                                                        | A. S. Kuleva SEMI-NEOLOGISMS IN THE POETIC LANGUAGE: On the material of the VII volume of the «Dictionary of the Language of the XX Century Russian Poetry»
 | 253  - 259 | 
                
                                                                                        | N. A. Rebetskaya PROBLEMS OF SEMANTIZATION OF WORDS IN THE PREPARATION OF A.P. CHEKHOV’S LANGUAGE DICTIONARY
 | 260  - 264 | 
                
                                                                                        | Z. Yu. Petrova OCCASIONALISMS AS ELEMENTS OF FIGURATIVE PARALLELS IN THE LANGUAGE OF LITERATURE
 | 265  - 274 | 
                
                                                                                        | E. G. Lukashanets A NEW WORD AND A NEW DICTIONARY: PROBLEMS OF THE SEMANTICS DESCRIPTION IN ONLINE DICTIONARIES OF SLANG
 | 275  - 281 | 
                
                                                                                        | I. V. Nechaeva FOREIGN NEOLOGY IN THE RUSSIAN LANGUAGE: ORTHOLOGICAL CONFLICT OF SPELLINGS
 | 282  - 289 | 
                
                                                                                        | Е. V. Marinova NEW WORDS OR NEW VARIANTS: ON MULTIPLE INTERPRETATIONS OF SOME LEXICAL INNOVATIONS OF THE XXI CENTURY
 | 290  - 296 |