Proceedings of the V.V. Vinogradov Russian Language Institute, 2023. No. 2 | Trudy Instituta Russkogo Iazyka imeni V.V. Vinogradova

CONTENTS

V. V. Feshchenko SELF-REFERENCE AS MANIFESTATION OF LANGUAGE REFLEXIVITY (IN ORDINARY LANGUAGE AND IN POETIC EXPERIMENT)	13 - 25
Suren Zolyan “I” AS A SUBJECT OF SELF- AND OTHER-REFERENCE: A LINGUISTIC PERSPECTIVE	26 - 39
O. V. Evtushenko LINGUISTIC MECHANISMS OF EXTRACTION OF NEW MEANINGS WHEN MODELING THE PROCESS OF CONTEMPLATION IN THE TEXT	40 - 47
Tatyana V. Skulacheva, N. A. Slioussar, Alexander E. Kostyuk, M. A. Granovskaya, A. S. Meritukov, B. A. Savina SEMANTICS OF VERSE AND ITS APPREHENSION	48 - 58
T. B. Radbil “VALUE SHIFT” AS A TYPE OF SEMANTIC TRANSFORMATIONS IN THE POETIC LANGUAGE	59 - 67
Z. Yu. Petrova SEMANTIC COMPATIBILITY OF PERSONIFYING METAPHORS AND SIMILES IN A LITERARY TEXT	68 - 82
O. I. Severskaya DOM ‘HOUSE’, DYM ‘SMOKE’, DUMA ‘THOUGHT’: SEMANTICS OF PARONYMIC FORMULAS	83 - 90
Mikhail Epstein MORPHOPOEIA: THE WORD AS A LITERARY WORK AND ITS MORPHEMIC STRUCTURE	91 - 101
L. V. Selezneva POETIC AND EMOTIVE IN NON-POETIC, OR ABOUT “SPARKS OF EXPRESSION” AND “REFERENTIAL ILLUSIONS”	102 - 108
R. I. Rozina WILLIAM SHAKESPEARE, THE RUSSIAN POET TRANSFORMATIONS OF THE TEXT OF SHAKESPEARE’S SONNETS IN S. YA. MARSHAK’S TRANSLATIONS	109 - 120
N. I. Golubeva-Monatkina ON NON-OBLIGATORY STRUCTURAL TRANSFORMATIONS OF THE LITERARY TEXT	121 - 127
T. V. Ustinova POETIC NEOLOGISMS AS A UNIT OF TRANSLATION: THE CASE OF ENGLISH TRANSLATION OF VELIMIR KHLEBNIKOV’S “GRASSHOPPER”	128 - 135
N. V. Patroeva, Alexander A. Lebedev THE RHETORIC OF FEOFAN PROKOPOVICH AND THE ORIGINS OF POETICS OF A. D. KANTEMIR	136 - 147
Yukiyoshi Inoue SOUND TRANSFORMATIONS OF THE TEXT INTO GOGOL’S FANTASY WORLD (IN THE STORY OF N. V. GOGOL “THE NOSE”)	148 - 155
A. N. Baranov, D. O. Dobrovol’skij THEATRICALITY AS A CHARACTERISTIC PROPERTY OF DOSTOEVSKY’S PROSE	156 - 163
E. A. Balashov SEMANTIC ASPECT OF THE AUTHOR’S TRANSFORMATIONS OF PHRASEOLOGICAL UNITS AS ILLUSTRATED BY F. M. DOSTOYEVSKY’S TEXTS	164 - 174
Igor V. Ruzhitskiy, Marina M. Korobova, S. N. Shepeleva “RUSSIAN” IN DOSTOEVSKY’S TEXTS AND RUSSIA WITHOUT DOSTOEVSKY	175 - 184
E. V. Sharapova INTENSITY AND OTHER MEANINGS: IDENTIFYING LEXICAL INTENSIFIERS IN CONTEXT (BASED ON THE STUDY OF FYODOR DOSTOEVSKY’S CORRESPONDENCE)	185 - 192
Mikhail Yu. Mikheev, L. I. Ehrlich WHY DOSTOEVSKY’S “THE DOUBLE”, “POOR PEOPLE”, “WHITE NIGHTS”, “NETOCHKA NEZVANOVA”, “MR. PROKHARCHIN” AND “CROCODILE” ARE UNBALANCED TEXTS IN THE WRITER’S IDIOSTYLE	193 - 204
L. O. Cherneyko, E. V. Feller CONCEPTUAL ANALYSIS OF THE ABSTRACT NOUN “EMPTINESS” (PUSTOTA) IN THE IDIOSYSTEM OF L. ANDREEV (ON THE MATERIAL OF SHORT STORIES)	205 - 216
A. V. Gik SEMANTIC TRANSFORMATIONS OF EMOTION DESIGNATIONS IN THE POETRY OF M. KUZMIN	217 - 228
N. A. Fateeva SEMANTIC TRANSFORMATIONS IN CONTEXTS WITH ADVERBS IN THE POETRY OF BORIS PASTERNAK	229 - 243
А. A. Mamedov ZOOMORPHIC TROPES AS REFLECTION OF S. YESENIN’S AND N. KLYUEV’S METAPHORIC WORLD IMAGE	244 - 250
S. D. Abisheva, M. Moldagali TWO BASIC MONOCHROMES IN THE POETRY OF D. SAMOILOV	251 - 260
I. A. Kargashin, E. A. Balashova V. T. SHALAMOV AS “A FORMALIST”: THE TYPOLOGY OF FORMAL MEANS IN A LYRICAL BOOK “KOLYMA NOTEBOOKS”	261 - 274
Ludmila V. Zubova SEMANTIC REDERIVATION OF THE WORD IN MODERN POETRY	274 - 284
Y. B. Orlitsky TRANSFORM, ANAPHRASE OR VERBAL ANAGRAM? ABOUT ONE FORM OF ARTISTIC STATEMENT IN A. KONDRATOV, G. SAPGIR AND OTHERS	285 - 298
O. V. Sokolova OVERCOMING “OBLIGATION” AND “NECESSITY” IN CONTEMPORARY POETRY	299 - 306
A. E. Masalov METABOLA AND SEMANTIC METABOLISM IN THE IDIOSTYLE OF MARK SHATUNOVSKII	307 - 314
E. Yu. Kukushkina THE WORD OF AN ARTIST: IMAGE CONSTRUCTIONS IN A. SOFRONOVA’S AUTOBIOGRAPHIC PROSE	315 - 323
A. M. Ranchin POETICS OF NARRATION IN «MOSCOW — PETUSHKI» BY VENEDIKT EROFEEV: REAL AND IMAGINARY	324 - 330
N. A. Nikolina, Zoya Yu. Petrova SEMANTIC TRANSFORMATIONS OF KEYWORDS IN MODERN PROSE TEXT	331 - 339
E. V. Markasova A DIFFERENT INTERTEXTUALITY: THE CASE OF THE NOVEL “BETWEEN TWO STOOLS” BY E. V. KLUYEV	340 - 348
E. A. Osokina PRECEDENT TEXT AND SEMANTIC TRANSFORMATIONS IN VICTOR PELEVIN’S 1991 SHORT STORY “BULLDOZER DRIVER’S DAY”	349 - 355
L. L. Fedorova EXPERIMENTS IN A LITERARY TEXT: BASED ON THE RESULTS OF THE COMPETITION “MR. WIND”	356 - 364
N. V. Kozlovskaya FIGURATIVE STRUCTURE AND INTERTEXTUALITY IN TATYANA TOLSTAYA’S STORY “PETERS”	365 - 375
Larisa L. Shestakova SEMANTIC TRANSFORMATIONS OF A WORD AS AN OBJECT OF INTERPRETATION IN THE WRITER LEXICOGRAPHY	376 - 386
N. A. Rebetskaya PROPER NAMES AS COMMON NAMES IN THE WORKS OF A. P. CHEKHOV	387 - 395
I. A. Tarasova SEMANTIC TRANSFORMATIONS IN POETIC MACROCONTEXT AND THEIR DEFINING IN THE AUTHOR’S DICTIONARY	396 - 403
N. T. Tarumova CLASSIFICATION OF THE LEXICO-SEMANTIC SPACE OF “THE PLANT AND ANIMAL WORLD”, BASED ON THE MATERIAL OF THE POETIC WORKS OF ANDREI BELY	404 - 411
Anna S. Kuleva SEMANTIC CONVERSIONS AS A POETIC NEOLOGY TOOL: Based on the IX volume of the “Dictionary of 20th Century Russian Poetry Language”	412 - 419
Т. V. Sivova GOOSEBERRY COLOUR IN THE COLOUR CONCEPTOSPHERE OF THE RUSSIAN LANGUAGE: FROM LEXICOGRAPHIC TO ADVERTISING DISCOURSE	420 - 431

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