Natalia A. Fateeva
LANGUAGE CREATIVITY: APPROACHES TO THE TOPIC |
13 - 28 |
Valeriy Z. Demyankov
LINGUISTIC CREATIVITY IN ARTISTIC ACTIVITY |
29 - 34 |
Nataliya M. Azarova
GOING NOT STAYING: CONCEPTS OF “TVORCHESTVO” AND “KREATIVNOST” IN DYNAMIC INTERACTION |
35 - 48 |
Vladimir V. Feshchenko
LANGUAGE AS ART, ART AS LANGUAGE: TERMINOLOGICAL AND CONCEPTUAL TRANSFERS |
49 - 65 |
Suren Zolyan
LINGUISTIC POETICS AND GENERAL THEORY OF LANGUAGE. (ON CONTEXT-DEPENDENT SEMANTICS AND TEXT-ORIENTED LINGUISTICS) |
69 - 85 |
Mikhail Epstein
THE POETIC VECTOR OF CIVILIZATION |
86 - 98 |
T. B. Radbil
THE POSTULATE OF IMPOSSIBILITY OF SENSELESS TEXT IN THE LIGHT OF CREATIVE LINGUISTICS |
99 - 110 |
Olga I. Severskaya
LANGUAGE AS A SYMPHONY: A POETIC VISION OF THE SAUSSUREAN LINGUISTICS |
111 - 120 |
Vladimir Novikov
“POETOGRAPHY” BY MIKHAIL PANOV |
121 - 127 |
Natalia A. Kupina
CREATIVE STYLISTICS AND CREATIVE SPEECH TECHNOLOGIES |
131 - 142 |
Tatyana A. Gridina
LINGUO-CREATIVE MECHANISMS OF TEXT GENERATION: PILOT RESOURCE OF GAME ON WORDS |
143 - 156 |
E. Remchukova
PRAGMATIC AND AESTHETIC VALUE OF «MASS LINGUISTIC CREATIVITY» |
157 - 167 |
Natalia G. Bragina
Poetic manner of the tongue-tie: chernomyrdinkis (chernomyrdin’s idioms) |
168 - 178 |
Tatiana P. Sokolova
LINGUOCREATIVITY IN THE ASPECT OF THE NAMING EXAMINATION |
179 - 194 |
Elena Yu. Kukushkina
CREATIVITY IN SPOKEN LANGUAGE: A QUESTION–ANSWER DIALOG |
195 - 207 |
L.O. Cherneyko
“LEXICAL ASSIMILATION”: ITS SCOPE AND BASIS FOR A TYPOLOGICAL CLASSIFICATION |
208 - 223 |
Gabriella Elina Imposti
«IZOBRETATELI vs. PRIOBRETATELI. TVORYANE vs. DVORYANE». KHLEBNIKOV’S CONCEPT OF CREATIVITY |
227 - 240 |
Maxim V. Pozdnyakov
LINGUISTIC CREATIVITY IN THE RUSSIAN TRANSLATIONS OF MARTIN HEIDEGGER |
241 - 252 |
Sergei E. Biryukov
ABOUT TRANSFORMATIONAL POETICS |
253 - 262 |
Olga G. Revzina
GUMILEV`S POETICS |
263 - 279 |
Anna V. Gik
POETICS OF SLEEP AND DREAM IN THE TEXTS OF M. KUZMIN |
280 - 294 |
Tatiana M. Nikolaeva
THIS MYSTERIOUS RUSSIAN WORD MGLA |
297 - 307 |
Vladimir V. Aristov
The idem-forma method and «identities in different» in literary works |
308 - 320 |
Yury B. Orlitskiy
WORD CREATION PRACTICE OF GENRIKH SAPGIR |
321 - 337 |
Svetlana Yu. Bochaver
NON-CONVENTIONAL TOOLS OF COHESION IN CONTEMPORARY RUSSIAN POETRY |
338 - 347 |
Grażyna Bobilewicz
THE CREATIVE POTENTIAL OF MEDIA POETRY |
348 - 361 |
Galina N. Ivanova-Lukyanova
RHYTHM OF PROSE IN REALITY AND PERCEPTION |
365 - 381 |
Angelika Molnar
THE METAPHORS OF “WATER / WOMAN” BY LERMONTOV AND GONCHAROV IN THE ASPECT OF LANGUAGE CREATIVITY |
382 - 392 |
M. V. Lyapon
NABOKOV: THE SCHOOL OF CREATIVE READING |
393 - 410 |
Galina Denissova
THE CREATIVE POTENTIAL OF THE LANGUAGE OF RUSSIAN EMIGRANTS OF «THE FIRST WAVE» |
411 - 428 |
Mikhail Yu. Mikheev
LAUGHTER THROUGH TEARS AND LANGUAGE GAME IN ALEXANDER GLADKOV’S DIARIES OF THE TIME OF HIS DETENTION IN THE CAMP |
429 - 440 |
Larisa L. Shestakova
GRIGOR’EV DIRECTORY: TO FURTHER WORK OVER “DICTIONARY OF LANGUAGE OF THE XX CENTURY RUSSIAN POETRY” |
443 - 455 |
Anna S. Kuleva
TO DESCRIPTION OF POLYSEMOUS WORDS AND VARIANT FORMS IN «DICTIONARY OF THE RUSSIAN LANGUAGE OF THE XX CENTURY POETRY» |
456 - 465 |
Igor V. Ruzhitskiy
CAN A DICTIONARY OF WRITERS’S LANGUAGE BE CONSIDERED LIKE A METHOD? |
466 - 475 |
Marina M. Korobova
IDIOLECT OF THE WRITER: OPPORTUNITIES AND CHALLENGES OF LEXICOGRAPHICAL DESCRIPTION (from the experience of working on Dostoevsky’s Dictionary) |
476 - 486 |
Sergei S. Volkov
FROM THE DICTIONARY OF LOMONOSOV’ LANGUAGE TO MENDELEYEV’S DICTIONARY. AND WHY NOT? |
487 - 496 |
N. A. Nikolina, Marina R. Shumarina
METALANGUAGE REFLECTION AND CREATIVE POTENTIAL OF LANGUAGE |
497 - 507 |
Ruslan Kadimov
FEATURES OF FRAME STRUCTURES IN THE NOVEL “EUGENE ONEGIN” |
511 - 518 |
Kira A. Rogova
LERMONTOV AND PUSHKIN: POEMS BEGINNING WITH «Я К ВАМ ПИШУ» (I AM WRITING TO YOU) |
519 - 530 |
Andrey Ranchin
OVERCOMING OF TRIVIAL SEMANTICS: THE VOCABULARY AND SYNTAX IN THE POEM BY AFANASY FET “WHISPER, TIMID BREATHING…” |
531 - 538 |
N. V. Patroeva
«TWILIGHT» SYNTAX OF E.Y. BORATYNSKY (BASED ON THE MATERIAL FROM THE COLLECTION «TWILIGHT» 1842.) |
539 - 551 |
Alexander A. Lebedev
SYNTACTIC ORGANIZATION OF METHODS OF LANGUAGE GAMES IN THE POETRY OF P.A.VYAZEMSKY |
552 - 565 |
Elizabeth Ginzburg
INTERTEXTUALITY AND SOUND PLAY IN TYUTCHEV’S EPISTLE “ON PUSHKIN’S ODE TO FREEDOM” |
566 - 581 |
Elena G. Zhidkova
Semantics of genitive case in substantive phrases formed by temporal lexemes |
582 - 591 |
Anna Majmeskulov, Aleksandr Shaikin
THE PRAGMATICS OF SEMIOSIS IN THE POEM «A MAN FALLING ASLEEP ALONE…» BY JOSEPH BRODSKY |
592 - 606 |
Zoya Yu. Petrova
CONJUNCTION OF THE WORD MEANINGS IN THE POETIC TEXT REVISITED |
607 - 622 |
