O. G. Artemova, А. А. Kretov
QUANTITATIVE APPROACH TO A CHARACTER SYSTEM ANALYSIS IN A LITERARY TEXT (based on Crime and Punishment by F. M. Dostoyevsky) |
11 - 22 |
A. N. Baranov, D. O. Dobrovol’skij
IDIOMATICITY OF THE WRITER’S INDIVIDUAL STYLE: A STUDY OF AUTHORS FROM THE SECOND HALF OF THE 19th CENTURY |
23 - 32 |
P. S. Baranovskii
LEXICAL COMBINATIONS: QUANTITATIVE AND QUALITATIVE APPROACHES TO THE STUDY OF THE POETIC SYSTEM (AS EXEMPLIFIED IN THE BORIS RYZHY’S POETRY) |
33 - 45 |
A. V. Gik
“GOLDEN THOUGHTS ARE LIKE BEES”: THE COMPARISON IN THE POETRY OF M. KUZMIN |
46 - 55 |
I. B. Dyagileva
N. A. LEIKIN IN THE TEXT CORPUS OF THE “DICTIONARY OF THE 19th CENTURY RUSSIAN” |
56 - 63 |
Suren Zolyan
“WORD IS AN EMBROIDERY FRAME, WORD IS A LINEN, WORD IS A TEXTILE”: HOW TO UNDERSTAND VELIMIR KHLEBNIKOV’S FORMULA |
64 - 74 |
Ludmila V. Zubova
DYNAMICS OF THE ARCHAISM KRAVA ACCORDING TO THE DATA OF THE RUSSIAN NATIONAL CORPUS |
75 - 84 |
I. V. Zykova
USING THE CORPUS TO STUDY TRANSFORMATIONS OF AVANT-GARDE IDIOMS IN MODERN DISCOURSE: THE CASE STUDY OF THE BLACK SQUARE |
85 - 102 |
I. N. Korzhova
THE POETIC FORMULA “FEMININE TOPONYM IN THE INDIRECT CASE + EPITHET SCHASTLIVOI ‘HAPPY’ IN RUSSIAN LITERATURE |
103 - 111 |
Marina M. Korobova, S. N. Shepeleva
THE WORD FANTAZIYA ‘FANTASY’ IN THE LITERARY WORKS BY F. M. DOSTOEVSKY |
112 - 122 |
S. A. Krylov
AN ATTEMPT OF AN A POSTERIORI APPROACH TO DETERMINING THE COMPOSITION OF THE POETIC CANON |
123 - 141 |
E. Yu. Kukushkina
THE PAST, PRESENT, AND FUTURE IN THE MEMOIRS OF THE ARTIST V. M. KONASHEVICH |
142 - 150 |
Alexander A. Lebedev
DATABASE “RHETORICAL AND MEDITATIVE QUESTIONS AS FIGURES OF SPEECH IN THE LYRICS OF THE 18th CENTURY”: STRUCTURE, USE, REPLENISHMENT |
151 - 158 |
А. A. Mamedov
THE SYSTEM OF COMPARATIVE TROPES IN S. A. YESENIN’S POETIC TEXTS CORPUS |
159 - 165 |
Nadezhda K. Onipenko, E. N. Nikitina
CONVERBS AND PARTICIPLES OF PSYCHOLOGICAL VERBS IN THE “NARRATIVE REMARKS” IN THE NOVELS BY DOSTOEVSKY (concerning the problem of the grammar of Dostoevsky's idiostyle) |
166 - 178 |
Y. B. Orlitsky
FREE VERSE (VERS LIBRE) IN THE RUSSIAN NATIONAL CORPUS: SOME IMPORTANT REMARKS |
179 - 191 |
N. V. Patroeva
ISOLATED SUBSTANTIVE TURNS AS EXPRESSEMES OF POETIC DISCOURSE IN THE MIDDLE OF THE 18th — FIRST HALF OF THE 19th CENTURIES |
192 - 199 |
T. B. Radbil
GENERAL-EVALUATIVE PREDICATES “GOOD” AND “BAD” IN THE MODELS OF “VALUE SHIFTS” (BASED ON THE DATA OF THE POETIC CORPUS IN THE RUSSIAN NATIONAL CORPUS) |
200 - 208 |
A. M. Ranchin
CONJUNCTION ZANE IN THE POETIC IDIOSTYLE OF I. A. BRODSKY AND IN RUSSIAN POETRY ACCORDING TO THE DATA OF THE RUSSIAN NATIONAL CORPUS: FEATURES OF FUNCTIONING |
209 - 215 |
N. A. Rebetskaya
CORPUS STUDIES OF ENTRIES OF THE PUSHKIN LANGUAGE DICTIONARY BASED ON THE DATABASE INFORMATION |
216 - 226 |
Igor V. Ruzhitskiy
‘MAN’ AS A KEY CONCEPT OF FYODOR M. DOSTOEVSKY’S THESAURUS |
227 - 236 |
O. I. Severskaya
МУЗЫКА ЯЗЫКА ИЛИ МУЗЫКА ЯЗЫКА? КОРПУСНОЕ ИССЛЕДОВАНИЕ ИЗМЕНЕНИЯ НОРМЫ |
237 - 245 |
I. A. Tarasova
CONCEPTUALIZATION OF THE SPHERE OF CELESTIAL PHENOMENA IN RUSSIAN POETRY OF THE 18th–20th CENTURIES: SUNSET/SUNDOWN/SUNRISE (based on the material of the Russian National Corpus) |
246 - 252 |
N. T. Tarumova
SYNESTHESIA OF COLOR IN THE POETIC LANGUAGE OF ANDREI BELY |
253 - 263 |
N. A. Fateeva
TOSKA, PECHAL’, GRUST’ AS CREATEMES (BASED ON THE POETIC CORPUS OF B. PASTERNAK’S TEXTS AND THE POETIC SUBCORPUS OF THE RUSSIAN NATIONAL CORPUS) |
264 - 274 |
A. Ya. Shaikevich
KEYWORDS OF XIX CENTURY PROSE (AS VIEWED FROM A CENTURY AFTER) |
275 - 282 |
E. V. Sharapova
THE METAPHORICS OF THE WIND CARRIES DEAD LEAVES AWAY BY EKATERINA MANOYLO |
283 - 292 |
L. L. Shestakova, A. S. Kuleva
RUSSIAN NATIONAL CORPUS AS A SOURCE OF DATA IN THE WORK ON THE AUTHOR’S DICTIONARY |
293 - 303 |
