Igor A. Pilshchikov
THE CONCEPTS OF “VERSE”, “METER” AND “RHYTHM” IN RUSSIAN VERSE THEORY |
12 - 30 |
Petr Plecháč, Robert Kolár
Formal Methods in Czech Theory of Verse |
31 - 43 |
Sergei E. Liapin, Maria S. Florinskaia [Liapina]
RUSSIAN TROCHAIC TETRAMETER: RHYTHM — LANGUAGE — THE PROBLEM OF TYPOLOGY |
63 - 75 |
Vera S. Polilova
BLANK TROCHAIC TETRAMETER WITH FFFM ENDINGS |
76 - 88 |
I. I. Nescheretov
Rhythm of Russian iambic hexameter from Lomonosov and Trediakovsky to present |
89 - 121 |
Anna Rubtsova
IAMBIC TETRAMETER OF VL. KHODASEVICH |
122 - 134 |
Sergej Ju. Preobrazhenskij
ADONIUS: SLAVONIC, GERMAN AND SOME OTHER REFLEXES |
135 - 145 |
K. M. Korchagin
CAESURA IN THE RUSSIAN THEORY OF VERSE FROM MELETIUS SMOTRYTSKY TO ANDREY BELY |
146 - 157 |
Yury B. Orlitskiy
RHYMING VERSE (RAESHNIK) IN THE NEWEST RUSSIAN POETRY |
158 - 170 |
Yaryna V. Khodakivska
VERSE OF UKRAINIAN RAP |
171 - 178 |
Oleg Anshakov
ON AUTOMATIC RECOGNIZING OF METER AND RHYTHM OF RUSSIAN VERSE: MATHEMATICAL MODELS AND ALGORITHMS |
179 - 188 |
S. D. Abisheva
A. L. ZHOVTIS: SCHOLAR AND TRANSLATOR |
189 - 199 |
Mikhail P. Gilman
RUSSIAN PRE-SYLLABIC VERSE: THE PROBLEMS OF CLASSIFICATION |
200 - 209 |
S. I. Kormilov
LITERARY USE OF METRICAL AND RHYTHMICAL FORMS OF LAPIDARIAN STYLE GRAVESTONE WRITINGS AND THEIR SOCIAL-CULTURAL ANALOGUES |
210 - 235 |
E. V. Kazartsev
THE VERSE-SIMILAR FRAGMENTS IN THE PROSE OF A. S. PUSHKIN, A. K . TOLSTOY, F. SOLOGUB AND B. L. PASTERNAK |
236 - 244 |
Alexey D. Koshelev
PROFESSOR BAJEVSKY. MEMOIRS OF A DISCIPLE |
245 - 256 |
Olga S. Smirnova
DATA ANALYSIS SOFTWARE (STATISTICAL PACKAGES) IN VERSE STUDY |
257 - 273 |
Anastasija V. Cherepanova
RHYME AND GRAMMATICAL SYSTEM OF LANGUAGE |
279 - 288 |
Natalia V. Kostenko
STANZAIC STRUCTURE OF TARAS SHEVCHENKO’S POETRY |
289 - 299 |
K. Yu. Tveryanovich
BENEDIKT LIVSHITS’ SONNETS |
319 - 332 |
Igor A. Pilshchikov
TOWARD THE FURTHER DEVELOPMENT OF POETIC CORPORA |
333 - 339 |
Oleg Anshakov, P. L. Chernyshova
Web portal on verse study: To be and as is |
340 - 350 |
