I. I. Nescheretov
RHYTHM OF RUSSIAN IAMBIC PENTAMETER IN THE 20TH CENTURY |
11 - 36 |
Sergei E. Liapin
ON THE PROBLEM OF THE STUDY OF RUSSIAN NON-CLASSICAL VERSE |
37 - 43 |
Oleg Anshakov
BINARY ENCODING OF THE RHYTHM AND METER OF VERSE: POSSIBLE APPLICATIONS AND PROBLEMS |
44 - 77 |
A. M. Levashov
STATISTICAL ANALYSIS OF METRICAL STRUCTURE OF RUSSIAN VERSE LIBRE |
78 - 85 |
K. M. Korchagin
CAESURA IN RUSSIAN VERSE: AN ATTEMPT AT A FORMAL DESCRIPTION |
86 - 97 |
I. I. Nescheretov
ONE APPROACH TO THE CLASSIFICATION OF RUSSIAN SONNETS |
98 - 104 |
Y. B. Orlitsky
SYLLABOTONIC METERS IN THE EARLY AND LATE B. PASTERNAK`S PROSE |
105 - 119 |
Tatyana V. Skulacheva, V. V. Zhurina
METER AND RHYTHM OF JAPANESE VERSE: METHODS OF ANALYSIS |
120 - 129 |
Svetlana A. Matyash
LEFT ENJAMBEMENT IN POETRY OF N. A. NEKRASOV |
130 - 144 |
Svetlana A. Matyash
ENJAMBEMENT IN SONNETS OF RUSSIAN POETS |
145 - 159 |
A. S. Kuleva
CLIPPED ADJECTIVES IN RHYME POSITION |
160 - 168 |
G. V. Vekshin
SHADOW RHYME AND ANAGRAM (TO THE PHONOTACTICS OF VERSE) |
169 - 181 |
A. V. Gik
CONCORDANCE TO THE POEMS BY M. KUZMIN |
182 - 192 |
Il'ya B. Itkin
ANTISTANZAS (FORMAL SEMANTIC ANALYSIS OF THE E.A. BARATYNSKY’S POEM «MOI DAR UBOG, I GOLOS MOI NE GROMOK...» |
193 - 203 |
Olga I. Severskaya
SEMANTIC PROCESSES IN CONDITIONS OF PARONYMIC ATTRACTION |
204 - 211 |
B.V. Orekhov, E. A. Salikhova, N. N. Aleksandrova
STEREOSCOPIC VISION AND A MEASURE OF ACCURACY (M. L. GASPAROV’S METHODOLOGY AND PSYCHOLINGUISTIC EXPERIMENT) |
212 - 221 |
Alexander G. Stepanov
FROM THE HISTORY OF THE SAPPHIC STANZA: THE PROBLEM OF SEMANTICS |
222 - 244 |
S. D. Abisheva
VERSE PARADOXES OF A POETIC GROUP “MOSCOW TIME” |
245 - 254 |
