LOVE TOGETHER, DISAPPEARING, MY NIGHT: ABOUT NEOLOGY IN POETIC GRAMMAR

The article marks a change of interest from the lexical-semantic analysis of the poetic text to the study of its grammatical features. In connection with this neological forms Н.А. Фатеева 174 created due to the interaction of the word-formative and grammatical levels of the language are analyzed which appeared at the present stage of the development of poetry. Specifically the concepts of the «grammatical tropes» (I.P. Prihod’ko) and «formotropes» (N.A. Fateevа) are discussed with emphasis on the second term. From this point of view neological reflexive forms of verbs and other ways of generating reflexiveness are studied, imperative forms with non-standard government, cases of the emergence of directional effect in static and mental verbs, occasional short relative adjectives, passive present participles formed from intransitive verbs; adverbs which are formally derived from adjectives, but receive a meaning that is directly related to the noun; adverbs formed from active present participles, forms of comparative degree of adjectives formed from nouns and numerals; occasional pronominal derivatives — nouns and adverbs. In conclusion, special cases of transformation of the grammatical gender in modern poetry are considered.