A PRELIMINARY SEMANTIC ANALYSIS OF A LATE LYRICAL POEM BY MARSHAK

It is well known that a recipient perceives verse and prose in different ways: we extract from prose first and foremost its “objective content”, while verse conveys to the recipient a “(lyrical) mood.” This mood is of great importance in verse: it can even obscure the “objective content”. The general problem dealt with here is the modeling of verse perception. Our hypothesis is as follows. The “mood” of verse results from repeated semantic components of lexemes; the repetition of these components occurs in accordance with metre and rhythm. The repeating semantic components can be identified through the deep semantic analysis of a lexeme. The paper proposes a two-level structure for the semantic representation of a poem. One level represents the “objective content” of a verse, while the other represents verse “mood” as sets of repeating semantic components. In fact, these sets denote the “objective content” of a poem in a very simplified form, isolated from concrete details and therefore applicable to any emotionally similar situation. The approach is illustrated through the analysis of a lyrical poem by S. Marshak.